Nicole Eisenman’s Procession was, hands down, the standout entry of the 2019 Whitney Biennial. The multi-figure sculpture is, by turns, baffling, bold, hopeful, lumbering, imaginative, irreverent. Almost every reviewer of the exhibition mentioned the unusual caravan of fellow travelers. Remaining on view until the end of October, Eisenman’s outdoor, site-specific work, which weathered the elements during the course of the show surprisingly well, is comprised of 11 disparate figures and heads executed in a variety of materials, ranging from bronze, plaster, and urethane foam to acrylic yarn, gold leaf, and butcher’s wax. 

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